US-Patent Troll und das Online Musikgeschäft – Watch Out!

Eintrag auf dem Blog On the Docket (http://blogs.forbes.com/docket):  Patent Troll Forces Online Music Sellers and Buyers to Pay a Toll. Did you know that built into the .99 ¢ or $1.29 you pay for a song online is a toll extracted by a patent troll? The troll responsible for this toll is an actual company, Sharing Sound, which holds an actual, government-approved patent.  Improbably issued in 2001, Sharing Sound’s absurdly broad patent covers “distribution of musical products by a web site vendor over the internet.”  Instead of creating a product or service with the patent, Sharing Sound lied in wait and finally this past May filed patent infringement lawsuits in the U.S. District Court for the Eastern District of Texas against Apple, Sony, Microsoft, Rhapsody, Brilliant Digital Entertainment (BDE) and Napster, and separately also sued Amazon, Netflix, Barnes and Noble, Wal-Mart, and GameStop. The patent (here is a good summary of it) essentially describes how these companies sell music online.  Other than Rhapsody and BDE, all of the companies have reportedly settled, the latest being Apple.

Sharing Sound’s patent, and the litigation arising from it, are a sad commentary on the quality of federal patent examination.  As one commentator noted, online selling of digital goods was well underway before the Patent Office issued the Sharing Sound patent.  An independent examination of the patent reveal at least 14 patents “in the innovation space that may contain critical elements of enabling technologies that predate key aspects of the innovation described in the claims of the Sharing Sound patent,” as well as 17 similar innovations in the public domain.

Although the terms of the settlements remain private, Sharing Sound no doubt kept its monetary demand below the defendants’ anticipated cost of litigation.  Is such a “feeding the troll” strategy viable, however, in the long term?  As Winston & Strawn attorneys Gene Schaerr and Jacob Loshin argued rather convincingly in a September 22 Washington Legal Foundation Web Seminar, the risk-benefit analysis on litigating vs. settling more often comes out on the side of fighting patent trolls.  This should especially hold true in situations where a patent is as glaringly weak as the Sharing Sound patent.  We don’t begrudge the online music seller defendants which each made the business decision to pay the troll toll.  But as consumers of online music and defenders of the free enterprise system as a whole, we wish Rhapsody and BDE, if they do decide to fight, the best of luck.

Dieser Beitrag wurde unter Allgemein veröffentlicht. Setze ein Lesezeichen auf den Permalink.

Schreibe einen Kommentar

Deine E-Mail-Adresse wird nicht veröffentlicht. Erforderliche Felder sind mit * markiert